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“Lobo Feroz is a ]]:loose, rev itali:,?sed ad)a*]:]pt?($ ation of Big)(? Bad Wolves.. Th #ere!_ w^)%e*r;`e many! ch./anges that %-we made when- yo:!u co@` m@!\p*+,a?re^@ , /it to the] !original,=[, ,]-:given/$ that we adde[@,d new [charac=ters, plot str;!ands and locations, an+d we intr+[)(odu#`%ced and f!leshed _]out new them ?es teetering between d(:a\) rk com=.ed]y and police thriller. )-]Th ; \e film qu$,_)estions+^ one’s pri\ncipl es#, hu;man @^behaviour ^ and h* ow amb:iguous it can be,” the di`:%%*re --ctor exp^ lained to Cineur:opa. ]“I’m \%very h,app^y to]* be abl e to work with,. a dream Spanish%+_ cast+%, w^.here ev ( eryone., demon@strates th e`_ir en!%=ormous talent (:and co$^ mm?it*ment *- in every scene and thro-\ugh`? every single de,/t#ail.” The sc\/reenpla# (y f# `o -r the movie – wri tten b =y Juan :?M#,anue[#l[@, Foode Roma ^=and Eva Mar^ía Al onso Mor#eno – follows a polic$ e +o ;#f[ficer on the f#*?rin#g;es o*)f the law and a woman se_e%k=_$[ing reve *+ng\e. The;ir p [ at)*hs cr*?::oss, as they are obsesse-d wi!!th discovering the identity of the murderer behind a =`_string of (_brutal crimes involving various/ gi `rls. Th%^\]%ey are both willing= to do whate,.v:%-er it ta`^kes t@o s ecure a c);onf%ession, (eve n though they w ill h/`a #ve to t;,ake the law in%\t o th;.eir ow`-# \n hands in ^!ord=er- to do so. A+ t the sam?]e t *=ime, a( )model det..ect[iv*.e will do his utm?,.[ost to avoi $ d irreparable errors]* bei?ng made and=_@! ^to %ensure)[$ t;hat this desperat ](e / ^^se+arch- =!- f*o :#r th.e` truth does_ not ] ,tra+ [-nsform i- :=nto the fierc/e._[ s?? t of wolves.